Pirogh Hesse

painter & serial designer

Lavender fields

I participated to a painting workshop organized by Nadine-Nacinovic in his beautiful atelier in Drôme, close to the lavander fields and we painted on the motif.

Nadine gave us specific feedback on our work and insisted that we prepare, using a marker, several preparatory sketches, of which here is an example.

Acrylic, 50x65cm.

Pêcheur d'Islande

This painting is inspirated by the roman Pêcheur d'Islande by Pierre Loti (1886). More precisely, this painting illustrates a paragraph of chapter 8 in part 5 of this book: "Elle s'en allait toute seule à l'extrême pointe de ce pays de Ploubazlanec qui se découpe en corne de renne sur la Manche grise, et s'asseyait là tout le jour aux pieds d'une croix isolée qui domine les lointains immenses des eaux... Il y en a ainsi partout, de ces croix de granit, qui se dressent sur les falaises avancées de cette terre des marins, comme pour demander grâce ; comme pour apaiser la grande chose mouvante, mystérieuse, qui attire les hommes et ne les rend plus, et garde de préférence les plus vaillants, les plus beaux. [...] Et Gaud, assise au pied de sa croix, restait là, au milieu de ces tranquillités regardant toujours, jusqu'à la nuit tombée, jusqu'à ne plus rien voir". The full text of this roman could be freely downloaded in various format here.

Acrylic, 50x65cm, painted at l'ESAD.

Exhibition at l'Apéricerie

J'organise une exposition à l'Apéricerie, 83 cours Jean Jaurès à Grenoble, à partir du vendredi 9 juin 2023 et jusqu'à fin août. Soirée de vernissage le vendredi 9 juin à partir de 20h. Il s'agit d'une exposition collective d'une vingtaine d'élèves de l'école des beaux-arts de Grenoble (l'ESAD), sur le thème d'une nature morte aux fromages. Plan d'accès ici.

I organize an exhibition at l'Apéricerie, 83 cours Jean Jaurès à Grenoble, from Wednesday 9 June 2023 and until the end of August. Opening Wednesday 9 June at 20h. This is a collective exhibition of about twenty students of the school of fine arts of Grenoble (l'ESAD), on the theme of still life with cheeses. Access map here.

  • Jacques Baccarrere (1)
  • Peikun
  • Emma Heffe (1)
  • Martine Harsche
  • Cécile Dewavrin
  • Cécile Carle
  • Geneviève Ravex
  • Marie-France Calonego
  • Marie-Pascale Finance
  • Geneviève Deleonibus (2)
  • Martine Julien
  • Rosaline Maria
  • Jacques Baccarrere (2)
  • Emma Heffe (2)
  • Jacques Baccarrere (3)
  • Jean-Louis Delgado
  • Marie Cassan
  • Myriam Forte
  • Marjorie Begou
  • Martine Lévy-Ruppe

Acrylic and oil, about 50x65cm.

Trunk-bar

My wife recovered and restored an old safe in bad condition. After painting and cleaning, it looked better. I painted some acrylic flowers in the decorative style of Alsatian furniture.

Acrylic, 80x50x40cm.

Palette and color-chart

To mix my acrylic colors as I want, I must have a basic and well balanced set of pigments, and I must know what will happen when I mix them together. So, during a long weekend, I decided to paint a color-chart for better understanding and mastering colors. I first defined my palette with twelve colors:

name pigment winsor-newton
magenta quinacridone PR122 550
red cadium PR108 99
sienne brunt PR101 74
Umber raw PBr7 557
Ocre PY43 744
yellow cadium medium PY35 116
yellow Hansa PY3 346
green phthalo PG36 521
blue cerulean PB35 137
blue phthalo PB15:3 515
blue ultramarine PB29 664

In the second column, I indicated the official pigment symbol. The number in the last column is the index in the Winsor Newton acrylic catalog. I then started my first color-chart: I followed the book Alla prima by Richard Schmid, page 130. Note that this book is now feely available for downloading

In each column of the color-chart, I first used each color as it came from the rube, and then lightened by adding some titanium white. I first observed that there was redundancies in my first palette: the cerulean blue is very close to the …

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